Highly compatible USB audio class 2.0 driver for Windows supporting ASIO, MME, DirectSound, WASAPI, Kernel Streaming, PCM 16Bit, 24Bit, 32Bit and Float-32Bit at all clock rates between 44.1kHzand 192.0kHz.Converts between USB PCM audio, USB DSD/DoP audio, AES3 and S/P-DIF, as well as between AES11 and Word Clock.Transfers USB audio streams into AES3 and S/P-DIF and outputs those to five digital audio formats simultaneously.Converts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate.Galvanic isolation up to 2500 V RMS in accordance with UL1577, respectively 4242 V PK in accordance with DIN EN 6 (VDE 0884 part 2).Available with black- or clear aluminum front panel.Intuitive user interface and easy installation.Compatible to Apple Macintosh and Windows PCs.Serves as a flexible digital input switching matrix, audio format converter and master clock.Tested and approved to provide a consistently stellar user experience with Roon Improved, next-generation REVIVE re-clocking and 1G-Clock technology by MUTEC Locks to MUTEC's REF10, as well as so-called atomic clocks and GPS clock references Unique, bit-transparent Re-Clocking without conventional sample rate conversion for purest sound qualityĪudiophile, asynchronous two-channel USB interface with ultra-low noise audio clock oscillators and total galvanic isolation of up to 2500 V RMS, respectively 4242 V PK, for suppression of high-frequency interferencesĬonverts DSD/DoP streams (64-256) to PCM audio with selectable output clock rate As such, the MC‑3+USB will prove its worth in many audiophile listening rooms around the world. I will test your examples this evening and let you know.The MC-3+ Smart Clock USB is setting a new benchmark for clocking technology and the reproduction of digital audio by uniquely combining an audiophile USB interface with an audio re-clocker in perfection! Particularly designed for the demands of high-end consumer audio, the device expands a new sonic universe with increased musicality, clarity, and precision. A poor sound recording would give a poor “Bit Perfect” reproduction of course, beeing worse with hight rate sampling, and that why some SD file sound much better than some HD one. I do not like Mode 2)Īnd then I think this should be very close to so called “Bit Perfect” if no jitter at all,įurthermore, this does not necessarily involve any perrfection, considering that perfection is to find in sound pickup. Of course all processing is off, an only Direct Mode and Integer Mode are On.
Audirvana plus deutsch mac#
Installing both 3.5 and AS on a Mac Mini/MOJAVE and having Direct Mode on both, shows no difference for me. I also found AS “muffled” (talking of very little difference but real) with Big Sur, and I supposed that this was due to the absence of Direct Mode. Is that Audirvana does not stream the exact bit stream from your FLAC or DSF files to the DAC, it does some sort of cleanup/correction, even with everything off.Īccording to what criterion ? Why Audirvana would do this ? Your results may vary depending on hardware and ears. I’m using Sennheiser HD800S headphones and a Marantz HD-DAC1.
With Studio the sound is muffled, like someone put a towel on the guitar. With Studio the sound is somehow modified, you still hear the overtones, but they feel like overtaken by a slight delay effect.ġ0th track: And I Love Her, sounds like he’s playing a nylon string classical, the into bass line is played with thumb flesh (no nail by the sound of it), With 3.5 the thumping bass line sounds very realistic and natural. You will hear the bigger imaging of v3.5, you will hear the clear overtones of the guitar strings, that’s exactly how they sound and feel if you play guitar. If you have a Qobuz subscription, find an album called WHAT’S IT ALL ABOUT, by PAUL METHENY.ġst track: The Sound of silence, listen the first 35 seconds. It is up to you if you want to call this bit perfect. Where I am going with this, is that Audirvana does not stream the exact bit stream from your FLAC or DSF files to the DAC, it does some sort of cleanup/correction, even with everything off. The sound difference between these versions is much less apparent with Rock or Pop music. AS has a little but darker, pushed back tone. I did a lot of research that shows that for Jazz, Classical and Orchestral recording v3.5 has a more precise sound, that is more open and clear. With all processing, upsampling etc off Audirvana 2.x, 3.x have a very pleasant tone.
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